About
WE’RE RE-DEFINING THE SAUDI ARABIAN FILM INDUSTRY
Oasis studios is a state of the art filming studio located in Jeddah, Saudi Arabia, designed to take on small to medium sized projects in both the production and post-production stage.
At Oasis studios, we only select the highest quality and most rewarding equipment along with a capable team, to insure the satisfaction of our clients.
Feel free to browse through our menu section for our equipment images and specs.
The Setup
A GLOBAL COLLABORATION,
LOCALLY AVAILABLE.
Our full-service studio puts everything together under one roof. Camera and motion control technology, sound, post-production, colour grading – all here in Jeddah. With everything on-site, our process is streamlined and stress-free, giving clients more time to focus on the creative process and vision behind their work.
Aeiregon Drone
-
Overview
AERIGON was designed for strength with a lightweight body of prepreg carbon-fiber consisting of a 6 arm helicopter and a stabilized camera gimbal standing on 3 feet. Each helicopter arm has 2 counter-rotating rotors with a proprietary power distribution system providing the power and precision to fly professional camera configurations with pro zoom lenses and full FIZ (Focus, Iris and Zoom) control.
-
Features
- MATERIAL: Light-weight and rugged carbon-fibre structure.
- WEIGHT (UNLOADED): 12 kg excluding batteries.
- AIRFRAME DIAMETER: 151 cm.
- PAYLOAD: Weight: 2 – 9 kg. Max length behind centre of gravity: 22 cm. Recommended focal length: 24 – 60 mm.
- FLIGHT TIME: 7-15 minutes depending on payload.
- POWER: Helicopter: 3 x Lithium-Ion Polymer 22.2 V (nominal) 10000 mAh rechargeable batteries or 3 x 16000 mAH 22.2 V. Gimbal: 1 x Lithium-Ion Polymer 14 – 16 V 4500 mAh, 4 – cell rechargeable
- WIRELESS CONTROL: 4 GHz FHSS up to 1000m.
Bolt High Speed Cinebot
-
Overview
The Bolt High-Speed Camera Robot is the fastest of its kind – capturing images in crisp focus that would be impossible by hand or any other method. The bolt adds an entirely new perspective to filming – whether shooting commercials, tabletop work, film or television.
-
Features
- High-speed robotic arm
- Camera payload up to 20kg
- Track speed in excess of 3.5m/sec
- Arm reach 2m
- Max Height 3.5m
- Can be used as both camera rig or model mover
Phantom 4K Flex Camera
-
Overview
The Phantom Flex4K is a full featured digital cinema camera, capable of speeds that range from standard frame rates up to 1,000. Frames per second (fps) at 4K and almost 2,000 fps at 2K resolution. Building upon the award winning technology of Phantom digital cinema products, the Flex4K combines features found in the latest cinema cameras with those otherwise found only in speciality cameras.
-
Features
- 3G-SDI Video Outputs
- Dual-link 4K
- Dual-SDI support
- Battery Mounts Available:
- V-Lock
- Gold mount
- Hawk Woods Reel Power
- On-Camera Menu System
- Remote Control options
- CineStation IV includes 10Gb Ethernet
- Cine Raw file format
- 3G-SDI Video Outputs
Phase One Camera
-
Overview
The IQ280 gives you the pinnacle of image quality, made possible through it’s 80 megapixel captures. With it you can capture incredible details and reproduce your images in virtually any format and size with a minimum of post processing.
-
Features
-
80-megapixel resolution for extreme detail level
-
645 full-frame CCD Sensor
-
Built in wireless technology
-
Extreme 13 f-stops dynamic range
-
1.15-megapixel resolution 3.2” display with vibrant colours
-
Touch screen functionality to pan, browse and zoom up to 400%
-
Red Epic Dragon
-
Overview
The EPIC-X RED DRAGON® W/ SIDE SSD AND LENS MOUNT is a high-performance, production-run DSMC camera package designed for professional still and motion image acquisition. Capture 6K images from 1-100 fps and take advantage of an arsenal of features such as wireless remote control (via REDMOTE®), modular design, and expanded dynamic range – without the burden of dealing with a large, bulky system. The DSMC FAN KIT 2.0 (TOP/BOTTOM) comes pre-installed in every EPIC-X RED DRAGON for quieter, more efficient cooling.
-
Features
- 6K RESOLUTION
- 5+ NATIVE STOPS
- NEW COLOR SCIENCE
Talos
-
Overview
Talos is a medium sized rig designed for easy, portable motion control – making it ideal for location work. Half the weight of the larger Milo rig, the Talos still offers a wide operating envelope, making it a good alternative for shoots where space or transport is a factor.
Able to access areas that other motion control rigs might struggle to, the Talos is small enough to pass through standard sized doorways, without dismantling, to enable easy filming in small buildings and confined spaces, even when operating on rails.
-
Features
- Runs on High Precision Bearing dolly rail.
- Back drive-ability – to be able to push the rig and have it playback the motions.
- Unlimited upgrades available for improved performance and functionality.
- Fits through standard doorways.
- 3rd Axis (Roll).
- Range of model mover systems – to control auxiliary motors on props and lighting.
- MC Tools – translation software for CGI software packages and motion.
- Remote Hand wheels or Panbars – for recording the movement of individual axes.
- Head can be used as a remote head.
- Realtime camera XYZ positional data.
Baselight TWO
-
Overview
Baselight TWO is a powerful multi-role system with four GPUs, making it more than able to handle a very wide range of grading and finishing projects across the entire gamut of motion-picture post-production.
A powerful multi-role system Baselight TWO is a powerful multi-role system with four GPUs, making it more than able to handle a very wide range of grading and finishing projects across the entire gamut of motion-picture post-production. From feature films to commercials and from broadcast TV to online music videos, Baselight TWO delivers maximum quality and performance.
-
Features
- Integrated 80TB, 160TB or 240TB cache-protected RAID 6 storage.
- Automatic background rendering and high-speed disk caching for instant real-time playback.
- Powerful filters and image improvement tools including de-grain, de-noise, and de-spot.
- Truelight Colour Spaces for the most accurate colour space conversions.
- Full support for grade import and export using the FilmLight BLG file format
- Playback and grade raw digital camera footage directly from the timeline with no transcoding.
- Freely mix all resolutions and formats (including native camera formats) within the same timeline
- Unlimited, GPU accelerated ‘inside/outside’ grade and effect layers with unlimited soft-edged Bezier shapes
Blackboard 2
-
Overview
The Blackboard defined the direction for colour grading. But technology evolves and art advances. Colour grading has developed new techniques as desire has become reality.
Complexity, speed, efficiency – the drive continues. Inheriting the pedigree, Blackboard 2 evolves the concept, refining the method and enabling the future of colour grading.
Blackboard 2 engages the colourist to form the perfect partnership, enabling the future of colour grading.
-
Features
- Prerequisites: Baselight system (ONE, TWO or X)
- Controls: Surface-labelled, high contrast, wide viewing angle
- Encoders: Limitless, rotary optical
- Display screens: 4 screens
- Jog/shuttle: Customisable magnetic clutch optical encoder with detents Software
- keyboard: Full, soft-mapped QWERTY keyboard on adaptive keys
- Canon
- ARRI Master Primes
- Nikon
- Schneider
-
CN-E24mm T1.5 L F
-
Overview
Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C300, these lenses are also compatible with all Canon EOS DSLRs.
-
Overview
-
CN-E35mm T1.5 L F
-
Overview
Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on all Canon Cinema cameras, these lenses are also compatible with all Canon EOS DSLRs.
-
Overview
-
35mm Arri/Zeiss Master Prime T1.3
-
Overview
The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. The lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.
-
Overview
-
50mm Arri/Zeiss Master Prime T1.3
-
Overview
The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. The lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.
-
Overview
-
75mm Arri/Zeiss Master Prime T1.3
-
Overview
The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. The lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.
-
Overview
-
AF-S NIKKOR 14-24mm f/2.8G ED
-
Overview
The renowned AF-S NIKKOR 14–24mm f/2.8G ED delivers exceptional sharpness and coverage. This lens was the first of its kind when it launched, and it’s still out front today.
Truly in a class of its own, this ultra-wide-angle lens delivers incredible sharpness, contrast and colour—whether you shoot stills or movies.
-
Overview
-
AF-S NIKKOR 24-70mm f/2.8G ED
-
Overview
Professional, fast aperture, standard zoom lens with SWM for fast and quiet Autofocus. Designed for digital, this lens rivals that of fixed focal length lenses for edge to corner sharpness, and features a Nano Crystal coating to minimize ghost and flare.
-
Overview
-
AF-S NIKKOR 800mm f/5.6E FL ED VR
-
Overview
A super-telephoto lens, ideal for news photography and shooting distant subjects in track and field, winter sports, and water sports. This premium lens includes a dedicated, custom-tuned 1.25x teleconverter that extends the focal length to 1000 mm with effective maximum aperture of f/7, while maintaining outstanding optical performance.
-
Overview
-
Schneider Kreuznach 150mm LS f/3.5
-
Overview
A standard portrait lens with applications in fashion, beauty, lifestyle and sports. In addition, the 150mm LS is also ideal for nature photography due to very little camera vibration using leaf shutter only.
-
Overview
-
Schneider Kreuznach 240mm LS f/4.5 IF
-
Overview
The Schneider Kreuznach 240mm LS is optimized specifically for digital capture and is an ideal lens for you to get close to your subjects whether you’re shooting beauty, sports, landscape or wildlife.
-
Overview
-
Schneider Kreuznach 28mm LS f/4.5 Aspherical
-
Overview
The Schneider Kreuznach 28mm LS Aspherical provides full coverage of the 645 format and the market’s fastest flash synchronization capabilities.
-
Overview
-
Schneider Kreuznach 40-80mm LS f/4.0-5.6
-
Overview
Schneider Kreuznach 40-80mm LS f/4.0-5.6 Zoom lens performs with ultra sharp rendition on all focal lengths. The optical quality of this zoom lens is comparable with what you would expect from a genuine prime lens. In combination with the Schneider Kreuznach 75-150mm LS f/4.0-5.6 Zoom, the focal length range is complete, from 40mm to 150mm with only two lenses.
-
Overview
-
Schneider Kreuznach 80mm LS f/2.8
-
Overview
This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.
-
Overview
Contact
Interested in collaborating with Obhur? We would love to hear your ideas.
Tony Cheema
info@oasis-studios.com
(+44) 7340 850 888
Our Vision
HOME-GROWN, WORLD-CLASS FILM, ADVERTISING & TELEVISION CONTENT.
The way stories are told is changing. Oasis brings these tools and techniques to Saudi Arabia, combining 21st century technology with a rich history of creativity and storytelling.
Our vision is to draw on this heritage and bring it into the digital world. To provide a studio where local and global talent can tell the stories of and from the region.
To achieve this, we provide our clients with the latest equipment and techniques from leading industry professionals. The result is film, advertising and television content that is changing the landscape of film in the region.